Tuesday, January 12, 2010
0 seen belowErratum
In my previous post, I accidentally wrote "Edna" instead of "Betty" in the sentence, "...Councilor Betty Tabanda asks the enraged public to be reasonable." I've already edited and replaced the post, but the error still appears on some feeds. Kindly take note of the correction. I apologize to Ms. Edna Tabanda for the oversight.
Save Baguio Athletic Bowl 2 (Also, #100)
UPDATE: The Facebook group previously known as "save baguio athletic bowl from the koreans" has been re-named "save the burnham park movement." Its new mission here. Now for some very good news: Resolution 515, which allowed the mayor to enter into a Memorandum of Agreement with the Korean investors, has just been re-called. Kudos.
Today, concerned Baguio citizens came together at the Baguio Athletic Bowl to show their support against its privatization.
Just a couple of updates:
Councilor Pinky Rondez made a privilege speech at the City Council yesterday, expressing her own protests against the lease and proposed development plan. When the council met to sign the MOA on 21 December 2009, she was absent. She is currently at the helm of the Burnham Park Development.
An outpouring of indignation from the online community has shaken the MOA's undersigned. Many of the councilors who previously supported the deal are now withdrawing their signatures. Like rats deserting a sinking ship. On the other hand, Mr. Peter Rey Bautista continues to stand by his actions, deliberately dismissing the online protests. In the SunStar today, Councilor Betty Tabanda asks the enraged public to be reasonable. Well, where was reason when the council by-passed transparency and excluded the public to rush the MOA?
Another Facebook group, Petition Against Baguio Athletic Bowl MOA, has been put up. It's true, Koreans are looking to develop a historic piece of public land, but the anger towards them is a little misplaced. The first group, which implored us to "save baguio athletic bowlfrom the koreans," was the initial emotional outburst from people who love this City. It has been instrumental in getting the issue out online, as well as bringing people together for a demonstration of support. Now, we must set our sights on the real offenders. Current and previous administrations have made it easy for the Koreans to take Baguio piece by piece. The local government let these people have their way, with no thought to consequence. There simply was no sense of duty, or interest, to protect the City and its residents. These so-called leaders would have us feel like strangers in our own home. They sold us out.
Today, concerned Baguio citizens came together at the Baguio Athletic Bowl to show their support against its privatization.
Just a couple of updates:
Councilor Pinky Rondez made a privilege speech at the City Council yesterday, expressing her own protests against the lease and proposed development plan. When the council met to sign the MOA on 21 December 2009, she was absent. She is currently at the helm of the Burnham Park Development.
An outpouring of indignation from the online community has shaken the MOA's undersigned. Many of the councilors who previously supported the deal are now withdrawing their signatures. Like rats deserting a sinking ship. On the other hand, Mr. Peter Rey Bautista continues to stand by his actions, deliberately dismissing the online protests. In the SunStar today, Councilor Betty Tabanda asks the enraged public to be reasonable. Well, where was reason when the council by-passed transparency and excluded the public to rush the MOA?
Another Facebook group, Petition Against Baguio Athletic Bowl MOA, has been put up. It's true, Koreans are looking to develop a historic piece of public land, but the anger towards them is a little misplaced. The first group, which implored us to "save baguio athletic bowl
SAVE BAGUIO ATHLETIC BOWL
Sunday, January 10, 2010
1 seen belowSherlock Holmes and the Na'vi go to a party
Great weekend in movies. Lem and I saw Sherlock Holmes on Friday, and followed it up with Avatar on Saturday.
FRIDAY
When one hears that Robert Downey Jr is playing Sherlock Holmes, you don't ask questions. As soon as it's showing, drop what you're doing and go see it. Downey has the charm and humor to bring this brilliant eccentric to life. When the movie opens, Holmes is being chased down the dark streets of London. Backed into a corner, he calculates the series of blows necessary to incapacitate his pursuer. Later, he is in a boxing ring and his adversary spits on the back of his head. Again, his mind estimates the required combination to win. These computations take only a moment. On both occasions, the enemy hits the floor, shattered bones and all. Holmes has already determined the damage sustained by his opponent's body...and pride. Ass-kicking has become an intellectual exercise.
At first, Jude Law as Dr. John Watson seemed like a far stretch. But it worked. The chemistry between the two old friends was endearing. (Watch: Holmes and Watson sitting side by side on a rickety bed, post-explosion, and trying very hard not to hug.) Kelly Reilly's turn as Mary Morstan, Watson's fiancé, was a pleasant surprise. She barely got any face time in the stories, so it was great to see her portrayed as a strong woman, unimpressed by Holmes's guile. Rachel McAdams is wonderful as the criminally sexy (ha-ha) Irene Adler.
The plot itself lacked cleverness, failing to evoke the why-didn't-I think-of-that knock on the forehead. On the other hand, Holmes's appraisal of people did demonstrate those brilliant deductive skills. The film was obviously a prelude to a greater story, one where we will eventually encounter the arch-nemesis, Professor Moriarty. We will wait for that one with bated breath. The game is afoot.
SATURDAY
Lem and I finally saw Avatar. We caught the late afternoon show, a schedule apparently favored by the general public. Lem sipped sullenly from a vanilla frostee, glaring at the long queue in front of him. Despite all those people, we managed to get good seats. Wearing over-sized 3D glasses, we braced ourselves for a movie that has been hyped to the high heavens. For once, the hype did not exaggerate.
The story is set in 2154, a time when humans have plundered so much of the earth that no green remains. Having completely exhausted the natural resources on their own planet, the humans launch an off-world mining project on the moon Pandora. RDA, the corporation responsible for operations, treads carefully because Pandora is inhabited by sentient humanoid beings called the Na'vi. Jake Sully, played by Sam Worthington, is a young marine who joins the company's Avatar division. Human researchers neurally link to genetically-engineered Na'vi bodies to gather information about the world and its people. Their ulterior task is to forge diplomatic relations with the indigenous community. The group is led by a no-shit, ball-breaking scientist Grace Augustine (portrayed to a T by the great Sigourney Weaver). She often clashes with corporate head slug Parker Selfridge whose depravity was crafted so perfectly by Giovanni Ribisi.
The plot is, by no means, anything new. In fact, it is a story not unusual in the Philippines. Indigenous peoples displaced by outsiders exploiting their land for commercial gain? Sound vaguely familiar? Ma, who knows a little something about natural resource management, remarked about the movie's parallels with ancestral land issues in the Cordillera. (She saw the movie in the Netherlands, and had to manage with Dutch subtitles for the Na'vi translations.) Avatar may have fallen into step with previous movies of the same theme, but it is a theme that hits close to home. A lack of empathy can be deadly.
In a very Tolkien-esque move, James Cameron creates a strange, untamed world where its inhabitants can literally commune with Nature. The plants glow in the dark and the animals are fierce and lethal. (Lem has declared that we must procure him a Banshee.) Cameron was thorough. The Na'vi, an entirely imagined race, have their own language and culture. They are a people who have preserved an intense connection with their environment, a quality steadily disappearing among human beings.
In one pivotal scene, the music turns ominous and Lem comments, "This is where the Titanic sinks." It's true: Cameron is dangerously becoming formulaic, and therefore predictable. But he makes up for it with stunning visuals and heavy action sequences. Images overwhelm the senses. With revolutionary film-making technology burning at his fingertips, Cameron meant to ASTONISH. He certainly did.
In a nutshell: Avatar was fucken awesome.
FRIDAY
When one hears that Robert Downey Jr is playing Sherlock Holmes, you don't ask questions. As soon as it's showing, drop what you're doing and go see it. Downey has the charm and humor to bring this brilliant eccentric to life. When the movie opens, Holmes is being chased down the dark streets of London. Backed into a corner, he calculates the series of blows necessary to incapacitate his pursuer. Later, he is in a boxing ring and his adversary spits on the back of his head. Again, his mind estimates the required combination to win. These computations take only a moment. On both occasions, the enemy hits the floor, shattered bones and all. Holmes has already determined the damage sustained by his opponent's body...and pride. Ass-kicking has become an intellectual exercise.
At first, Jude Law as Dr. John Watson seemed like a far stretch. But it worked. The chemistry between the two old friends was endearing. (Watch: Holmes and Watson sitting side by side on a rickety bed, post-explosion, and trying very hard not to hug.) Kelly Reilly's turn as Mary Morstan, Watson's fiancé, was a pleasant surprise. She barely got any face time in the stories, so it was great to see her portrayed as a strong woman, unimpressed by Holmes's guile. Rachel McAdams is wonderful as the criminally sexy (ha-ha) Irene Adler.
The plot itself lacked cleverness, failing to evoke the why-didn't-I think-of-that knock on the forehead. On the other hand, Holmes's appraisal of people did demonstrate those brilliant deductive skills. The film was obviously a prelude to a greater story, one where we will eventually encounter the arch-nemesis, Professor Moriarty. We will wait for that one with bated breath. The game is afoot.
SATURDAY
Lem and I finally saw Avatar. We caught the late afternoon show, a schedule apparently favored by the general public. Lem sipped sullenly from a vanilla frostee, glaring at the long queue in front of him. Despite all those people, we managed to get good seats. Wearing over-sized 3D glasses, we braced ourselves for a movie that has been hyped to the high heavens. For once, the hype did not exaggerate.
The story is set in 2154, a time when humans have plundered so much of the earth that no green remains. Having completely exhausted the natural resources on their own planet, the humans launch an off-world mining project on the moon Pandora. RDA, the corporation responsible for operations, treads carefully because Pandora is inhabited by sentient humanoid beings called the Na'vi. Jake Sully, played by Sam Worthington, is a young marine who joins the company's Avatar division. Human researchers neurally link to genetically-engineered Na'vi bodies to gather information about the world and its people. Their ulterior task is to forge diplomatic relations with the indigenous community. The group is led by a no-shit, ball-breaking scientist Grace Augustine (portrayed to a T by the great Sigourney Weaver). She often clashes with corporate head slug Parker Selfridge whose depravity was crafted so perfectly by Giovanni Ribisi.
The plot is, by no means, anything new. In fact, it is a story not unusual in the Philippines. Indigenous peoples displaced by outsiders exploiting their land for commercial gain? Sound vaguely familiar? Ma, who knows a little something about natural resource management, remarked about the movie's parallels with ancestral land issues in the Cordillera. (She saw the movie in the Netherlands, and had to manage with Dutch subtitles for the Na'vi translations.) Avatar may have fallen into step with previous movies of the same theme, but it is a theme that hits close to home. A lack of empathy can be deadly.
In a very Tolkien-esque move, James Cameron creates a strange, untamed world where its inhabitants can literally commune with Nature. The plants glow in the dark and the animals are fierce and lethal. (Lem has declared that we must procure him a Banshee.) Cameron was thorough. The Na'vi, an entirely imagined race, have their own language and culture. They are a people who have preserved an intense connection with their environment, a quality steadily disappearing among human beings.
In one pivotal scene, the music turns ominous and Lem comments, "This is where the Titanic sinks." It's true: Cameron is dangerously becoming formulaic, and therefore predictable. But he makes up for it with stunning visuals and heavy action sequences. Images overwhelm the senses. With revolutionary film-making technology burning at his fingertips, Cameron meant to ASTONISH. He certainly did.
In a nutshell: Avatar was fucken awesome.
Wednesday, January 6, 2010
2 seen belowSave Baguio Athletic Bowl
When I was young, my father took me to Baguio Athletic Bowl to go jogging. I would make my way around the huge ring, vowing to complete at least two and a half laps. My ten-year old legs would not fail. A few years later, I would sit in the bleachers, cheering with 200 of my City High batch mates. Dressed and painted in bright colors seen even from the far end of the field, we shouted battle cries. The silent drill, in particular, required intense concentration. We clapped our hands and stomped our feet in perfect unison, forming elaborate patterns that would have looked impressive had anyone been watching from the sky.
Over at Baguio Insider, Lisa writes that the mayor and city council have approved a 25-year lease of the Athletic Bowl to a Korean company. The Koreans will pay P100,000 a month for twenty-five (25) years with a 10% increase after five (5) years. The deal was brokered within a short period of ten days, the city council neglecting to call a public hearing for such abogus major proposal. Mayor Peter Rey Bautista signed the Memorandum of Agreement on December 11, 2009 and the council confirmed it on December 21. Easy money.
As part of their development plan, theshady Koreans propose to build a hotel and driving range (god, more golf) in the area they've supposedly leased. The mayor and a majority of the city council have allowed a group of people who do not know or love Baguio to ruin an outdoor recreation area that has been around for nearly a hundred years. Once again, they have betrayed Baguio and its people for a fat sum. They pimped out a landmark for campaign money, or whatever it is they got.
Athletic Bowl has seen better days, but its current state of disrepair is just another reflection of bad governance. Nevertheless, it is still a public park, which city officials cannot just rent out to the highest bidder. I hope May will be an opportunity to begin rectifying the damage from a string of poor administrations.
A Facebook page has been created to "save the baguio athletic bowl from the koreans."
Over at Baguio Insider, Lisa writes that the mayor and city council have approved a 25-year lease of the Athletic Bowl to a Korean company. The Koreans will pay P100,000 a month for twenty-five (25) years with a 10% increase after five (5) years. The deal was brokered within a short period of ten days, the city council neglecting to call a public hearing for such a
As part of their development plan, the
Athletic Bowl has seen better days, but its current state of disrepair is just another reflection of bad governance. Nevertheless, it is still a public park, which city officials cannot just rent out to the highest bidder. I hope May will be an opportunity to begin rectifying the damage from a string of poor administrations.
A Facebook page has been created to "save the baguio athletic bowl from the koreans."
For the dolphins
Director Louie Psihoyos and an intrepid team of environmental activists risk incarceration, and more, to expose the annual slaughter of 23,000 dolphins and porpoises in Taiji, Japan. The Cove is the most riveting film you will watch from 2009.
The small Japanese town, Taiji, is a major provider of captive dolphins in the world today. Small whales, particularly the bottlenose dolphin, are captured alive and sold to various ocean parks and aquariums. There is a heated, long-standing debate on keeping dolphins in captivity for science and recreation. One faction considers it a justified sacrifice for research, arguing that such close study will yield valuable scientific data. In contrast, the group on the other end of the argument believe that the practice is inhumane and deleterious to wild populations. To the fishermen of Taiji, the captive dolphin trade is a lucrative undertaking. A dolphin alive fetches a larger profit than when it is marketed as meat.
However, the exploitation does not end there - far from it. In a hidden cove, known now as the killing lagoon, fishermen proceed to slaughter the thousands of remaining dolphins. There is no distinction: calf and adult alike are stabbed with long spears and then hauled with hooks unto waiting boats. The dolphins do not die instantly. For several minutes, they thrash painfully in the water and bleed freely from their wounds. They futilely look for an escape, suffering until the very end. The water literally runs red with blood.
For more than a decade, Japan has been proposing to abolish the international ban on whaling.
The Cove has been hailed as a thriller; a chronicle of the fearless efforts of a group of conservation warriors. But more than that, it is a piece of powerful advocacy. It is informative, discussing essential issues in cetacean conservation. For instance, it corrects the misconception that dolphins are pests to be culled in order to preserve fish stocks. An excessively large human population, not the subsistence feeding of cetaceans, is responsible for the alarming decline in fisheries. The film also provides a new fold in Japan's rejection of international whaling policies. Apparently, it is a subversive act: a people refusing to be subjugated by Western culture. The preservation of a national identity is necessary, but I seriously doubt that driving another species to extinction is the way to do it.
The Philippines itself is a hotspot for whales and dolphins. Our waters are home to twenty-four confirmed species, including the beautiful humpback whale and the acrobatic spinner dolphin. Locally, the primary threat to small cetaceans is incidental mortality. They drown, entangled as by-catch, in long lines and fine mesh nets used for fishing. The impact of these deaths on wild populations is still vague, but it is obviously harmful to small populations such as that of the extremely endangered Irrawaddy dolphin in Malamapaya Sound. The few marine mammal experts in the country have their work cut out for them, but plunge tirelessly on anyway.
The Cove focuses on dolphin conservation issues in Japan, but it reminds us all that most of the time, change cannot be affected by large conventions, but by the actions of a few very passionate and committed individuals.
P.S. Remember that news story about an emotional Hayden Panettiere at a dolphin protest? It was in Taiji. She is seen for a few seconds in the film.
The small Japanese town, Taiji, is a major provider of captive dolphins in the world today. Small whales, particularly the bottlenose dolphin, are captured alive and sold to various ocean parks and aquariums. There is a heated, long-standing debate on keeping dolphins in captivity for science and recreation. One faction considers it a justified sacrifice for research, arguing that such close study will yield valuable scientific data. In contrast, the group on the other end of the argument believe that the practice is inhumane and deleterious to wild populations. To the fishermen of Taiji, the captive dolphin trade is a lucrative undertaking. A dolphin alive fetches a larger profit than when it is marketed as meat.
However, the exploitation does not end there - far from it. In a hidden cove, known now as the killing lagoon, fishermen proceed to slaughter the thousands of remaining dolphins. There is no distinction: calf and adult alike are stabbed with long spears and then hauled with hooks unto waiting boats. The dolphins do not die instantly. For several minutes, they thrash painfully in the water and bleed freely from their wounds. They futilely look for an escape, suffering until the very end. The water literally runs red with blood.
For more than a decade, Japan has been proposing to abolish the international ban on whaling.
The Cove has been hailed as a thriller; a chronicle of the fearless efforts of a group of conservation warriors. But more than that, it is a piece of powerful advocacy. It is informative, discussing essential issues in cetacean conservation. For instance, it corrects the misconception that dolphins are pests to be culled in order to preserve fish stocks. An excessively large human population, not the subsistence feeding of cetaceans, is responsible for the alarming decline in fisheries. The film also provides a new fold in Japan's rejection of international whaling policies. Apparently, it is a subversive act: a people refusing to be subjugated by Western culture. The preservation of a national identity is necessary, but I seriously doubt that driving another species to extinction is the way to do it.
The Philippines itself is a hotspot for whales and dolphins. Our waters are home to twenty-four confirmed species, including the beautiful humpback whale and the acrobatic spinner dolphin. Locally, the primary threat to small cetaceans is incidental mortality. They drown, entangled as by-catch, in long lines and fine mesh nets used for fishing. The impact of these deaths on wild populations is still vague, but it is obviously harmful to small populations such as that of the extremely endangered Irrawaddy dolphin in Malamapaya Sound. The few marine mammal experts in the country have their work cut out for them, but plunge tirelessly on anyway.
The Cove focuses on dolphin conservation issues in Japan, but it reminds us all that most of the time, change cannot be affected by large conventions, but by the actions of a few very passionate and committed individuals.
P.S. Remember that news story about an emotional Hayden Panettiere at a dolphin protest? It was in Taiji. She is seen for a few seconds in the film.
Smile Today
Attempting to describe the effects of music on one's emotional well-being would be impossible. (But you are welcome to try). Vampire Weekend is out with a new album, Contra. Its official release is on January 12th. Listening to its stream now. And just like that, all is well.
Monday, January 4, 2010
3 seen belowManic Monday
Gears are clicking into place; the wheels of the world are turning.
The cold is seeping away and already, I miss it. Even daylight is reclaiming the sky.
Talk of school seems to be in the air. Lem and I have been dipping into the subject of me resuming my studies. And all that it implies. Also, my adviser greeted me Happy New Year and promptly reminded me to complete certain, uh, pending requirements. My father has also thrown in the occasional monitoring. Delinquent academic habits must end soon. Once, I asked the girls back at the House of M if they would still love me if I didn't finish graduate school. They replied, rhetorically, "Bakit, 'yun ba ang basehan kung bakit ka namin mahal?" Bless them.
It sucks to be broke. When the clock struck midnight on New Year's Day, I jumped around with my little cousins, wishing for height. I'd forgotten to put coins in my pocket. I should not have been so careless. Now, I have a better chance of growing taller than making money this year.
The cold is seeping away and already, I miss it. Even daylight is reclaiming the sky.
Talk of school seems to be in the air. Lem and I have been dipping into the subject of me resuming my studies. And all that it implies. Also, my adviser greeted me Happy New Year and promptly reminded me to complete certain, uh, pending requirements. My father has also thrown in the occasional monitoring. Delinquent academic habits must end soon. Once, I asked the girls back at the House of M if they would still love me if I didn't finish graduate school. They replied, rhetorically, "Bakit, 'yun ba ang basehan kung bakit ka namin mahal?" Bless them.
It sucks to be broke. When the clock struck midnight on New Year's Day, I jumped around with my little cousins, wishing for height. I'd forgotten to put coins in my pocket. I should not have been so careless. Now, I have a better chance of growing taller than making money this year.
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